For 32 years, the Âé¶¹´«Ã½ÉçÇø Center has been home to countless artists, presenters, friends, and supporters of the performing arts. The exhibition includes show posters from the Âé¶¹´«Ã½ÉçÇø archives and plus posters from partner organizations including Lyric Theatre Company, Vermont Symphony Orchestra, Vermont Stage Company, UVM Lane Series, Higher Ground, Burlington Discover Jazz Festival, and others. Come in and revisit your favorite memories of performances at the Âé¶¹´«Ã½ÉçÇø, with an opportunity to share them on video.
Restoration of the Âé¶¹´«Ã½ÉçÇø—a hallmark of Art Deco design and architecture—began in earnest on July 1, 1981. The dramatic comeback convinced citizens that the Âé¶¹´«Ã½ÉçÇø was a viable and vital community resource.In its first five years, the Âé¶¹´«Ã½ÉçÇø hosted more than 350 performances presented by 50 different organizations, including longtime allies in the arts whose partnerships with the Âé¶¹´«Ã½ÉçÇø continue to this day: Lyric Theatre, Vermont Symphony Orchestra, the Vermont Youth Orchestra, and the UVM Lane Series.
In 2000, the Âé¶¹´«Ã½ÉçÇø "reopened" as a comprehensive performing arts center, renamed the Âé¶¹´«Ã½ÉçÇø Center for the Performing Arts. Âé¶¹´«Ã½ÉçÇø Center incorporated two performance venues—the original theater, fully restored to its Art Deco splendor, and Âé¶¹´«Ã½ÉçÇøSpace, a small performance setting that significantly expanded the Âé¶¹´«Ã½ÉçÇø's programming options. Âé¶¹´«Ã½ÉçÇøSpace has provided a home for the Vermont Stage Company and became the community's venue of choice for intimate live theater, performance art, jazz, acoustic music, comedy performance, and more. Patrons now enjoy an expanded Âé¶¹´«Ã½ÉçÇø Center that includes beautiful education and dance studios housing year-round Âé¶¹´«Ã½ÉçÇøArts classes in music, theater, and dance for children and adults; a greatly enlarged main theater lobby; a visual arts gallery; and additional administrative and support spaces.
Take a walk down memory lane with Poster Riot in the Amy E. Tarrant Gallery!
Burlington Free Press: (By Brent Hallenbeck, Nov. 24, 2013)